2025
War Machine | 戰爭機器
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War Machine 6 (Banyan Tree) | 戰爭機器 6 (榕樹)
2025
146cm x 105cm x 85cm | 146厘米 乘 105厘米 乘 85厘米
Ink, Xuan paper, plaster, fragments from Something Something - Becoming (2025), clear glue, found fish tank, found fire fender, found stool, found steel frame, wood pannel, steel wire, tape, screw| 水墨、宣紙、石膏、《某某-生成》(2025)的碎片、透明膠水、現成魚缸、現成擋火板、現成凳子、現成鋼架、木板、鋼絲、膠紙、螺絲
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War Machine 2 | 戰爭機器 2
2025
62cm x 47cm x 55cm| 62厘米 乘 47厘米 乘 62厘米
Ink, paper mould made with Xuan paper and clear glue (Mother-object: a wheel and 3D print of self-scanned key chain model, and found print of a dog's skull) wheels, steel wire, found vase, wood, packaging foam |墨水、用宣紙和透明膠水製作的紙模(母體:車轆、親自掃描的鎖匙扣模型的3D打印,以及現成狗頭骨印刷品)車轆、鋼絲、現成花瓶、木材、包裝泡棉
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War Machine 1 | 戰爭機器 1
2025
315cm x 103cm x 74cm| 315厘米 乘 103厘米 乘 74厘米
Wheels, paper mould made with Xuan paper and clear glue (Mother-object: Wheel) with ink, bio plastic, wood, washing line, string, packaging foam, steel structure from Ending Orbit (2025) | 車轆、用宣紙和透明膠水製作的紙模(母體:車轆)以及水墨、生物塑膠、木材、晾衫繩、繩、包裝泡棉、鋼結構(取自《圓軌》(2025))
Horizontality As A Meaningful Void | 水平性作為有意義的虛無
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Back To Dust | 歸塵
165cm x 100cm | 165厘米 乘 100厘米
Ink, Xuan paper, plaster, dyed sand on canvas | 水墨、宣紙、石膏、染色沙布本
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Dimensionality Reduction Attack 2 | 降維打擊 2
20cm x 16cm | 20厘米 乘 16厘米
Ink and crayon on matt paper and Xuan Paper | 水墨與蠟筆覆霧面紙及宣紙
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✕Labourors' Opinion | 勞動者之聲
2 hours 15 minutes 10 seconds | 兩小時十五分十秒
Hammering sound captured in process of making Flow In Void| 搥打聲錄取自《心流虛空》之製作過程
[Reunion] with [The Way] | 與道重逢
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Home's Border | 家邊境
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Jason Kwong and Yingying Zheng's collaborative work | 鄺律銘與郑盈盈聯合作品
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Dust & Plaster & Ink & Clay on Studio Floor| 在工作室的 塵 與 石膏 與 墨水 與 黏土
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Composition No.1 | 作品1號
Size variable | 尺寸不定
Clay, ink, plaster, Xuan paper, dyed sand | 黏土、水墨、石膏、染色沙、宣紙
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Composition No.2 | 作品2號
Size variable | 尺寸不定
Clay, ink, plaster, Xuan paper, dyed sand | 黏土、水墨、石膏、染色沙、宣紙
Deduction | 減法
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Commission project| 委託項目
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