Rooting Temporary, Drifting Eternity ｜ 扎根暫時，永恆漂流
2025-2026
Rooting Temporary, Drifting Eternity, approaches diasporic experience as a state of distributed existence. Working with keepsakes of Hong Kong immigrants in Britain, Jason Kwong 3D scans objects to preserve their contours while dislocating their singularity. Multiple variations derived from a single source may coexist, destabilising the hierarchy between original and copy. Plaster sculptures cast in Xuan paper shells retain fragility and imperfection, emphasising process over replication. These small sculptural units are assembled onto salvaged pallets and modular surfaces, forming raft-like structures. The raft is not a symbol of movement but a temporary ground: a provisional topology where repetition, mutation, and displacement operate simultaneously. Identity here emerges not from a stable centre but from shifting relations among materials, nodes, and contexts.
《扎根暫時，永恆漂流》將離散體驗視為一種分散式的存在狀態。鄺律銘以在英香港移民的信物為創作素材，運用立體掃描技術保留物品的輪廓，同時打破其單一性。源自同一來源的多種變體可能並存，從而動搖了本體與複製品之間的等級關係。以宣紙為模具的石膏模型保留了脆弱和不全，強調過程而非複製。這些小型雕塑單元被組裝在回收的貨板和模組化的表面上，形成類似木筏的結構。木筏結構並非移動的象徵，而是一個臨時的立足點：作為一種臨時的拓樸結構，重複、變異和位移同時不斷發生。身份在此便不源自於穩定的中心，而是來自材料、節點和脈絡之間不斷變化的關係。
Experiment in Response ｜ 回應式實驗